5 December, 2020 § Leave a comment
Like many writers and aspiring authors, the story of J.K. Rowling is a real rags-to-riches tale with so many lessons to learn. From her penniless start, her determination by writing in a local café, her complex plots and characters, her perseverance in the face of rejection and her capacity to turn her series into other products and merchandise making her the richest author to date.
Our chances of emulating her success is questionable but our ability to improve our mindset and craft is definitely possible.
Today I discovered a website dedicated to just that: learning from the lessons of Rowling. Grab a bevvie, find a comfy chair, hold your fave pen over your ever-present notebook and begin …
1 December, 2020 § Leave a comment
One of the first experiences with writing is generated by a desire to put together a family history or a memoir. I just came across this resource and thought I’d pop it in here so I don’t lose it – and can access it when I get around to doing my own family history!
Hopefully, these materials will stay around for a while, but if not, I’m sure a local library will be able to help.
17 November, 2020 § Leave a comment
When you write those two most satisfying words “The End”, it is a bittersweet moment. Getting to that point could represent a couple of days if you’re Stephen King or over a year’s worth of sweating out characters and plots to finish your novel. But the savvy writer knows that moment of celebration is the forerunner to lots more hard work: the revising and editing process where you put your words through a fine sieve to reveal the gems and wash out the mud. It’s a tough task if you’re in love with your word magic. No one wants to sacrifice their babies, but the reader wants you to do that so you create not just a well-written book but a well-read one.
A very useful presentation on what to keep in mind when revising and editing your own novel or non-fiction piece is on video with a series of authors and editors offering expert tips and ideas and how to make the process easier and more productive for you.
Key points …
- be willing to cut anything to strengthen the story
- read your dialogue out loud
- use action verbs to drive the story
- avoid passive writing
- watch “I felt like” and convert it into descriptive (show v tell)
- ensure all paragraphs and scenes are in sequence
- make sure characters are consistent throughout
- once you finish your first draft, put it aside for a while
- read other people’s books and flag ideas/phrases/descriptions that impact you and learn how the writer raised your emotion
- go back to your book and flag what’s worked well in your story
- look for content issues first
- review style, voice and scene issues and note what to improve/cut
- revisit the third time and go over punctuation, structure, complicated sentences etc
- now go back and revise using your flags and notes
- consider copy-editing as you go eg read what wrote day before and notice simple errors
- wait until the end for structural editing – much easier to edit something that’s finished
- tools for editing depends on the type of edit
- spell check
- grammar check – automated and manual – look for obvious issues like that/which
- recognise the limitations of any tool you use
- beware of overusing adverbs (eg very, really etc)
- make sure the character’s voices are distinctive
- get someone else to help critique to pick up any misses from reading and reviewing your own work
Those are just my summary notes – watch the video for more detail, especially the first 2-3 sessions.
Write – revise – edit – rewrite – revise – edit – rewrite – revise edit … until you’ve polished the best book you can produce. Of course, if you snag a traditional publishing contract then some of the work will be done for you, the than the writing. If you self publish, the more you revise and edit, the better your readers experience will be. A professional editor is valuable if you can spring the money for it: if not, do the work.
26 January, 2020 § Leave a comment
A friend of mine was chuffed to get a guernsey in a UK writing mag. He had an article published about playing to your strengths.
Now, Greg provides great advice from his own experience and you can definitely benefit from that.
But think about the achievement of having an article you wrote being published on a broader stage and subtly promoting your writing and books.
Clever man, our Greg.
Always have a purpose in what you do, while writing for your audience.
Go read his article.
Work out what you can take away from it.
Note the strategy and emulate it when the time is right.
25 July, 2019 § Leave a comment
The literary world is complex. There are broad genres then sub-genres and even deeper categorisation beyond that.
Within the Crime genre, Domestic Noir occupies a peculiarly feminine place. It comprises crime that usually takes place within familiar places such as the home or workplace. It often concerns itself with the woman’s perspective. At it’s core, the topic of domestic noir centres around the concept that such domestic situations are inherently challenging and even dangerous, especially for women.
48% of crimes are domestic-related and women represent 70% of domestic murder victims.
Such statistics are perhaps sufficient to argue that a domestic noir sub-genre is redundant and may serve to minimise the contributions of many female authors.
By way of example, Paula Hawkins, Gillian Flynn and other female authors are considered writers of domestic noir. Male authors eg Harlen Corben, Lee Child, who write in a similar vein are not normally described as writing domestic noir books.
The domestic noir sub-genre was coined by Julia Crouch in 2013 so is relatively new in literary terms. It is perhaps too early to tell if it will become a category of fiction which will serve a long-term purpose.
10 January, 2014 § Leave a comment
Highly recommend this practical program by an ex-teacher of Creative Writing, published author, NaNoWriMo winner who believes in publishing effectively and selling your written product.
If you want some ideas on how to be a better writer, lifehack has some clues … check them out.
7 January, 2014 § Leave a comment
But not their words which is one of their legacies. Perhaps that’s one of the reasons we write, to leave a little of us in the world after we move on.
This is a fitting tribute to just some of the more well known writers who passed away in 2013. We wrote about Doris Lessing’s passing but didn’t realise we’d lost some of these people.
Make your words count. They are left behind.
10 December, 2013 § 4 Comments
Hard to believe, I know, but not everyone feels compelled to write.
Yeah. I don’t get that either. Still, each to their own.
For those who do have an insatiable and unstoppable urge to write, the question becomes … why?
I was fortunate enough to hear a few authors talking about their journey to being published and was fascinated to find that most differed in what caused them to become published.
One such person was Steve Bisley. Steve is a knockabout Aussie actor who was raised in a typical ordinary Australian family. As an actor he has enjoyed a modestly successful but consistent career in television and on stage. He admitted that as an actor, one is always interpreting the words and works of others. It got to the stage where he decided to have a bash and write his own story.
As often happens, his first novel was autobiographical in nature in the sense that it was a rollicking recollection of stories from his childhood. He admits to never having a diary or anything but his own memory as a keen observer of life. He recalled an image and wrote it out. Steve took time out from acting to write and set a discipline of writing in longhand daily from 8.30 am and then typing it into Word. If he didn’t follow that discipline he feared the book would ‘go on’ and never be finished.
He did indeed finish, was published, and is now writing his next book. Interestingly he thought writing was tough doing his first book. Now he realises that was easy because he just had to resell his life’s stories. In his new venture, he is finding it much harder as it’s not autobiographical at all.
Steve wrote to express himself in a new creative way rather than being a vehicle for others voices. He is learning a whole new way of being in his mature years and is stimulated as well as humbled by the whole process.
Here’s a quote I grabbed from his talk that I believe is so true.